Fusion
In Fusion, I serve as a musical chameleon, re-arranging well-known songs to reflect the distinct aesthetic and sonic footprint of specific artists. This project highlights my expertise in stylistic analysis and ghost production, proving that I can translate any existing IP into a new artistic language. Whether through complex live recording or high-end MIDI production, these arrangements serve as a testament to my ability to master and manipulate genre-specific nuances for any client or project.
Lean on
A masterclass in 1960s production emulation, this arrangement reimagines a contemporary pop hit within the iconic aesthetic of the late-60s British Invasion. To achieve this, I deconstructed the harmonic and rhythmic foundations of the original track, rebuilding them using the signatures of the Yellow Submarine era—utilizing Mellotron-inspired textures, vintage saturation, and the characteristic 'dream-state' vocal processing found on tracks like 'Lucy in the Sky with Diamonds.' The result is a seamless fusion of modern songwriting and classic analog soul.
Guitar: Juan Camilo Urrea
Voice: Nathalia Moreno
Bass/Drumset: Andrés Felipe Merchán
Innocent
A stylistic overhaul of Taylor Swift’s 'Innocent,' reimagined through the lens of Neo-Soul icon Erykah Badu. The objective was to emulate the specific sonic fingerprints of the album Baduizm—focusing on groove-centric arrangements and sophisticated harmonic textures. This project highlights my capability as a ghost producer, translating existing IP into a specific, high-fidelity aesthetic using a hybrid workflow of meticulous MIDI programming and live vocal tracking.
Tania Catalina Reyes Vieda (Professional Musician - Universidad El Bosque)
Come as you are
In this reimagining of Nirvana’s ‘Come As You Are,’ I explored the boundaries of the human voice as a complete orchestral engine. Using only vocal tracks, I deconstructed the song’s iconic grunge textures and translated them into a complex a cappella arrangement. While drawing inspiration from the modern pop-vocal precision of groups like Pentatonix, the work also incorporates experimental vocal percussion and layering techniques to preserve the original track's dark, atmospheric weight.
Soprano and Mezzo Soprano: Nathalia Moreno
Alto: Catalina Martinez
Tenor/Drums: Andres Merchan
Bass: Camilo Barrera